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本文介绍了贝尔法斯特市的公共艺术作品,并契合改革的主题,采用图文结合的形式,其中主要包括笔者个人作品、他人作品以及选自世界各地的带文字的城市风光图。自从1968年动乱爆发伊始,贝尔法斯特市的公共艺术主要呈现两种表现形式:一种是描述武装斗争的政治壁画,一种是宣扬和平、平稳的受政府赞助的公共空间艺术。随着1998年《贝尔法斯特协议》的签订,敌对情绪的消减,这两种艺术形式都有所变化。壁画转向关注世界范围内的斗争以及后殖民主义;而政府认可的公共艺术则以委托艺术作品的形式转交到社会和社区手中,以现代且国际化的风格出现(大多以
This article presents the Belfast City public art work, which incorporates the theme of the reform, using a combination of graphic and textual elements, including the author’s personal works, works by others and urban scenery with text from all over the world. Since the outbreak of turmoil in 1968, Belfast’s public art has mainly manifested itself in two forms: one is a political mural depicting the armed struggle and the other is a public space art that promotes peace and stability and is sponsored by the government. With the signing of the Belfast Agreement in 1998 and the diminishing hostility, both of these art forms have changed. Frescoes have shifted to focusing on world-wide struggles and post-colonialism, while government-accredited public art has been delegated to the community and community in the form of commissioned works of art in a modern and cosmopolitan style (mostly