在大型的文艺活动,特别是在大型的户外演出中,我们通常需要一部输入单元足够多,输出单元(包括编组输出和辅助输出)要尽量多,操作界面易记、容易掌握,功能强大的调音台来作为现场的扩声控制。然而,在工作中,我们经常会遇见这样的问题:舞台的每个乐手,或演奏的每个声部都要求有单独的监听;在同一台晚会中包含不同国家、不同种类、风格不一的节目源,他们对舞台监听的需求各不 In large-scale theatrical performances, especially in large outdoor performances, we usually need one input unit enough, the output unit (including the group output and auxiliary output) should be as much as possible, the interface is easy to remember, easy to grasp, powerful Mixer as a live sound reinforcement control. However, at work, we often encounter such problems: each player on the stage or each part of the performance requires a separate monitor; in the same party contains different countries, different types, different styles The source of the show, they have different needs of the stage monitor