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潮州音乐(以弦诗乐为例)的宫调系是什么?这是研究潮州音乐在调性和调式问题上必须回答的一个重要问题。 历来对潮州音乐使用的几个调有两种不同的基本解释见之出版物上。第一种是张伯杰先生从五十年代编辑《潮剧音乐》一书时在《潮剧源流及历史沿革》一文(见广东人民出版社1956年版本《潮剧音乐》第一册,还见1959年人民音乐出版社出版潮剧《扫窗会》158、159页)所下的定义,认为轻三六调、重三六调、反线调和活五调这几种调都是调性音阶,(因
What is the Palace Tune of Chaozhou Music (Taking String Poems as an Example)? This is an important issue that must be answered in the study of Tune and Tune. There are two basic explanations that have always been used on Chaozhou music. See the publication. The first is Mr. Zhang Berger’s article “The Origins and Historical Evolution of the Opera” (ed.) In the 1956 edition of the Guangdong People’s Publishing House, Volume One of The Musicals of the Opera, also published in the 1959’s Publishing House published the opera “sweep the window” 158,159) under the definition of that light three six tone, heavy three six tone, anti-line transfer and live five tone these are tone tone scales, (due to