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近年来在有关秦腔艺术的改革与发展的热烈讨论中,培养接班人的问题,不断被人们提到并给以高度重视。但是就解放三十余年以及辛亥革命以来,秦腔艺术教育的经验教训、成败兴废,具体进行总结研究,并展开一番争论,尚觉不足。目前在党和政府的关怀下,几乎每个剧团都在培养训练学生,此外文艺训练班、戏曲学校也已办起不少,那么如何能够较快地培养出大量的合格的秦腔艺苗来,不能不是一个值得探讨的问题。笔者近来有机会接触到秦腔艺术教育工作,断断续续想了几个问题,很不成
In recent years, with regard to the heated discussions on the reform and development of the art of Qinchao, the issue of cultivating successors has been constantly mentioned and given great importance to by people. However, since the liberation of more than thirty years and the Revolution of 1911, the experiences and lessons of the art education in the Qin Dynasty have failed in success or failure. At present, under the care of the party and the government, almost every troupe is cultivating students. In addition, many literary training courses and drama schools have been set up. How to quickly cultivate a large number of qualified Shaanxi opera artists, Can not be a question worth exploring. Recently, I have the opportunity to come into contact with the art education in the province of Qin, and think of several issues, very not