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对于身体在当代文学理论与文化政治语义场中符号化的倾向,英国作家A.S.拜厄特采取了较为审慎的立场。她在《巴别塔》中质疑了1960年代残酷戏剧的暴力语言对人类身体尊严与价值的侵越和践踏,通过《中国龙虾》的迫害妄想症个案,指出被无限放大的女性身体解放话语会扼杀女性审美想象力、扭曲自我认知,借助《原材料》暗示了表征身体欲望和语言的“阴性写作”之外,女性书写自我的可能。拜厄特对当代激进身体话语的反思,为深入理解她与后现代艺术理念以及女性主义思潮的复杂关系提供了重要切入点。
For the tendency of the body to be symbolized in the semantic field of contemporary literary theory and culture and politics, British writer A.S. Byatt took a more cautious position. In the “Tower of Babel,” she questioned the violent inhuman and trampling of human dignity and value by the violent language of the brutal dramas of the 1960s. She persecuted the delusional case of “Chinese lobster” and pointed out that the liberation of women by an infinitely enlarged female body would kill Female aesthetic imagination, distorted self-awareness, with the help of “raw materials” implies the possibility of women writing themselves outside of “negative writing”, which characterizes body desire and language. Byrt’s reflection on contemporary radical body language provides an important entry point for understanding her complex relationship with postmodern art ideas and feminist thoughts.