关于戏曲表演的“体验”与“表现”的关系,在戏曲界内部,也是一个长期争论不休的老问题了。但是,问题并不因为它“老”就失去了它的现实意义。首先必须明确一点,不论是哪一种戏剧性表演,在舞台上,只能尽可能地把创作者(演员)向欣赏者(观众)“隐蔽”起来,却根本不可能“消灭”创作者的存在,不仅创作者自己必然会随时意识到自己的存在,而且,观众也同样不可能忘记这个客 The relationship between “experience ” and “performance ” in the performance of the opera is also an old problem that has been debated endlessly in the opera circles. However, the problem is not because of its “old” it lost its relevance. First of all, we must make it clear that no matter what kind of dramatic performance, on the stage, only the creator (actor) can be concealed from the viewer (audience) as much as possible on the stage, but it is impossible to “eliminate” The existence of the creator, not only is the creator surely aware of his own presence at all times, but it is equally unlikely that the viewer will forget this guest