电视剧已经成为标举这个时代文学艺术现象的一个全新标志,电视剧理论研究尚没有把“谋略题材”电视剧作为一种类型剧进行界定。但此类电视剧的创作实践一再证明这类电视剧不仅存在,而且已经形成热播之势。谍战、悬疑、后宫、职场等五花八门,有从人物角度,有从场所角度,有从内容角度等称呼。但基本都是隔岸观火,难涉本质。而从创作者和批评家的杂乱评判不难看出,谋略 TV series has become a new sign of marking the phenomena of literature and art in this era. The study of drama theory has not defined the drama of “strategy” as a type of drama. However, the practice of creating such TV series has repeatedly proved that such TV series not only exist, but also have become a hit. Spy war, suspense, harem, workplace and other varied, from the perspective of characters, from a place of view, from the content point of view. But the basic view of fire is across the shore, difficult to get involved in nature. From the clutter of creators and critics it is easy to see that strategy