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本文通过对中西方人物画中变形主义的由来以及在历史进程中中西方变形主义人物画的代表画家作了细致的阐述和对比,在正文中,着重分析了中西方代表画家的作品特点和内涵以及使用变形手法的目的,并把它们所生活的时代、社会背景与他们绘画风格的形成联系起来,分析两者之间的必然联系。本文研究中西方人物画中变形主义的殊途同归的目的,一是把中西方在不同环境中成长的艺术家放在一起对他们绘画风格的形成与使用“变形”目的和手段作分析比较,使他们之间的异同一目了然;二是把这种“变形”画法的作用和影响作了调理的总结;三是突出表达了画家自身在变形主义绘画中的主体地位,他们都是把变形作为一种手段,一种语言来宣泄他们的内心情感,这也正是本文的主旨。
This article elaborates and contrasts the origin of metamorphosis in the Chinese and Western portraits and the representative painters of the Chinese and Western metamorphosis portraits in the historical process. In the main text, the author mainly analyzes the characteristics and connotation of the representative painters in China and the West As well as the purpose of using the distortion technique, and to relate the times and social backgrounds in which they live with the formation of their painting style to analyze the necessary relationship between the two. The purpose of this thesis is to study the same thing about the different ways of the transmutationism in Chinese and Western portraits. First, put together the artists who grew up in different environments in China and the West to analyze and compare the purpose and means of the formation and use of their painting style. The similarities and differences between them are clear at a glance. The second is the summary of the conditioning of the role and influence of this “transformation” painting. The third is the highlighting of the artist’s own dominant position in the deformationist painting. As a means of a language to vent their inner feelings, which is exactly the theme of this article.