从历史的发展来看,中国传统陶瓷生产中的设计意识往往受到当时社会上普遍流行的思想意识的影响,其中表现最为明显的就是禅宗与陶瓷艺术的融合。禅宗作为一门古老的佛教流派思想,以其平易近人、讲究悟性的特点迎合了陶艺制作过程中朴实的材质特征以及无法完全人为掌控的烧成特点,从而得以与陶艺完美结合。不过,“禅”本身是一种思想方式,所以禅意的表现并不是仅仅局限在陶瓷艺术作品中画上佛像或法器。禅意的体现可以是多方面的,尤其是通过技术手段表现出来的 Historically, the design awareness in traditional Chinese ceramics production was often influenced by the prevailing ideology in the society at that time. The most obvious manifestation was the integration of Zen and ceramic art. As an ancient Buddhism genre, Zen, with its approachable and savvy nature, caters to the simple material characteristics of pottery making and the burning features that can not be completely controlled by human beings, so that the perfect combination with pottery. However, “Zen” itself is a way of thinking, so the performance of Zen is not limited to drawing Buddhist statues or implements in ceramic works of art. Zen expression can be many, especially through technical means demonstrated