《张好好诗》是杜牧传世的唯一一件墨迹。其书字体姿媚,用笔劲健,历代评之甚多。曹洋先生本文运用文化透视法对《张好好诗》墨迹进行剖析,着重解决其两个问题:一是文化的归属,即书法的时间性和魏晋风骨的指向性。二是书法美学的身份归位,即深得“二王”书法三味。别样的分析方法,相信会给我们品鉴、学习《张好好诗》卷产生深刻的感悟。 “Zhang Hao poem” is the only piece of ink Ducao handed down. The book fonts pro-Mei, with a pen Jin Jian, the history of many critics. Mr. Cao Yang uses the method of cultural perspective to analyze the “Zhang good poems” ink, focusing on two problems: First, the ownership of culture, that is, the timeliness of calligraphy and the orientation of the Wei and Jin style. Second, the identity of the calligraphic aesthetics homing, that is, won the “two kings” calligraphy Sanwei. A different kind of analysis method, I believe will give us tasting, learning “Zhang good poem” volumes have a profound insight.