梁衡的《特利尔的幽灵》描写作者造访马克思故居时的所见所感,由故居所见引发对故居历史的追寻,引发对马克思革命实践和“特利尔的幽灵”的传播历史的探索,引发对“特利尔的幽灵”在中国的运用和发展的深思。文章的结尾尤其值得赏析,本文就《特利尔的幽灵》的结尾艺术进行分析思考。 Liang Heng’s “Specter of Trier” depicts the author’s visions when he visited the former residence of Marx, which leads to the pursuit of the history of his home from what he saw in his hometown, which leads to the spread of Marxist revolutionary practice and the “ghost of Trier” Exploration, triggering the “Trier ’s ghost ” in China’s use and development of reflection. In particular, the end of the article deserves appreciation, this article on the “ghost of Trier” the end of the art analysis and reflection.