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朗西埃认为,电影的运动包含影像视觉化的运动和情节动作的运动,后者来自亚里士多德奠定的以情节为核心的艺术等级传统,并导致情节对影像的主导地位。
Lancyy believes that the motion of the film includes the movement of image visualization and plot movements, which comes from the art-centered tradition of Aristotle and leads the plot to dominate the image.