观照当代中国戏曲电影的创作历程,不管你喜欢也好,讨厌也罢,样板戏是绕不过去的一段坎儿,其中《杜鹃山》占有重要的位置。《杜鹃山》搬上银幕,创作人员在布景设置,镜头蒙太奇方面下了一定的功夫。今天重看《杜鹃山》,最棒的还是它的音乐、唱腔,整部戏的人物却概念化,肤浅。如果数它的败笔的话,那最大的败笔就是“三突出”——它走到极端只能是弄真成假。 Look at the contemporary Chinese opera film creation process, whether you like it or hate it, the model drama is around a period of Kaner, which “Rhododendron Hill” occupies an important position. “Rhododendron Hill” onto the screen, the crew set in the setting, the lens montage under a certain amount of effort. Today review of “Rhododendron Hill”, the best or its music, singing, the whole play characters are conceptualized, superficial. If the number of its failure, then the biggest flaw is “three prominent ” - it can only go to the extreme truth.