“写生”是西方写实绘画最基本的观察方式和训练手段,20世纪初,伴随西方美术思潮与美术教育体制的进入,成为画家反映现实、关注社会人生,提高造型能力和笔墨技巧,摆脱程式化的一种手段。引导同学在写生时,要把临摹和创造融入其中,它们是同一整体中的三个部分的合一,不可孤立开来。我们要进一步发掘中国画的传统资源,建立自己的独立的具有民族特色的现代写生观念及体系。 “Sketching ” is the most basic observation and training method of western realistic painting. At the beginning of the 20th century, with the entry of western art trend of thought and art education system, the painter reflected the reality, paid attention to social life, improved the modeling ability and pen and ink skills, A stylized means. Guide students in the sketch, we should copy and create into them, they are the unity of the unity of the three parts, can not be isolated. We should further explore the traditional resources of Chinese painting and establish our own independent concept and system of modern sketching with national characteristics.