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如果说孤独和交流障碍的主题贯穿马尔罗全部作品的话, 它在《人类的命运》中尤其突出。人从根本上说是孤独的,人与人之间的真正交流是不可能的,这就是整个作品的悲剧主题。《人类的命运》这一题目让我们联想到帕斯卡尔,他把人类的命运看作死囚犯的命运,而马尔罗把它比作禁闭者或失语症患者的命运, 从而暗示了人类注定无法沟通的悲哀。在谈到这部作品时,马尔罗在一封写给加埃唐·皮康的信中写道:“这部小说的历史背景当然不是首要的。最重要的显然是您称之为帕斯卡尔特性的东西。”本文从这个思路出发,旨在对《人类的命运》中人的孤独和不可沟通性在文本中的不同表现进行分析,从这一侧面揭示出马尔罗作品的现代性之所在。
If the theme of loneliness and communication barriers runs through all of Malro’s work, it is especially prominent in “The Fate of Mankind.” People are fundamentally lonely, the real exchange between people is impossible, this is the tragedy theme of the entire work. The topic “The destiny of mankind” reminds us of Pascal, who regarded the fate of mankind as the fate of the death inmate, while Maltese compared it to the fate of a confinement or aphasic patient, suggesting that human beings were unable to communicate Sadness. In talking about the work, Maluo wrote in a letter to Gaetang Pitkin: “The historical background of this novel is certainly not the primary one, and the most important one is obviously what you call Pascal Characteristics of things. ”This article proceeds from this line of thinking to analyze the different manifestations of the loneliness and non-communicability of human beings in“ Human Destiny, ”revealing the modernity of the writings of the Marlo .