作为新一代的老旦演员应结合自身的艺术条件来选准自己的发展方向,并加强知识修养和理论修养,在艺术实践中以塑造人物为出发点。京剧老旦唱腔有两个显著特征:一个是表现女性特征的高低细柔亮脆等,即通常讲的“雌音”,另一个是表现老年妇女的苍颤涩等,也就是衰音,二者互为依存, As a new generation of actors and actresses, Laodan actors should choose their own direction of development in accordance with their own artistic conditions and strengthen their knowledge and theoretical accomplishment. In the artistic practice, they should take the character creation as their starting point. Peking Opera Laodian singing has two notable features: one is the performance of feminine features such as the level of soft crisp, etc., which is commonly referred to as “female voice”, and the other is the performance of elderly women, such as croaker, that is, the sound of the bad, both Interdependent