无论在何种意义上使用“新世纪文学”这一概念,我们都不难发现它所指涉的文学景观比之于现代文学、新时期文学来说,已经有了翻天覆地的变化:文学观念的多元、文学位置的下移、文学作品数量的激增、文学边界的模糊……所以我们不得不以“新”来为它命名。姑且将“新”字所可能蕴含的价值判断悬置不论,说到底,文学的“新”还是以人的“新”为逻辑起点和事实依据,因而关于新世纪文学的研 No matter in what sense we use the concept of “new century literature,” we can easily find that the literary landscape it refers to has undergone tremendous changes in comparison with modern literature and new period literature: literature The diversity of concepts, the downward movement of literary positions, the surge in the number of literary works, the vagueness of literary boundaries ... so we have to name it “new”. In the end, the literary “new” or the new “human” as the logical starting point and the factual basis, so the new century literature research