在中国人的审美传统中,人物一直是山水画不可或缺的一部分。中国山水画里,峰峦、林木、云水等自然景观是画面的主体,占据了大部分画面比重。而点睛人物往往只是穿插点缀其间,形体很小,但是却起着至关重要的作用,小小的人物往往成为画面的关注点和重点所在,它涵盖了作者的感情寄托、现实生活状况和社会需求等多方面的因素。点睛之笔而非人像摄影从美学的意义上看,点睛人物的效应是多方面的。它既助于自然美形象的充分刻画、山 In Chinese aesthetic tradition, characters have always been an indispensable part of landscape painting. In Chinese landscape paintings, the natural landscapes of peaks and ridges, forests and clouds are the main body of the picture, occupying most of the picture. The characters are often interspersed interspersed interspersed during the small body, but it plays a crucial role, the small characters often become the focus of the screen and focus, which covers the author’s emotional sustenance, real life conditions and social Demand and many other factors. Crowning rather than portraits In the sense of aesthetics, the effects of eye-popping people are manifold. It helps to fully characterize the image of nature and beauty