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音乐作品中作为精神内涵的形而上意义,既不是音响实体,也不是音乐的形式结构。如果仅仅从形式结构本身去追究音乐的意义,几乎难以企及。问题是,如何才能“听”见那些由声音引发的形而上意义?本文试图以不同观念与概念的“听”作为理论基础,并创用专门针对音乐形而上意义的新概念“内在谛听”为研究重点,辅以三部不同体裁的西方音乐作品为例,来阐明如何透过在场的声音“听”见到不在场声音。
The metaphysical meaning of musical compositions as spiritual connotations is neither an acoustic entity nor a formal structure of music. If only by the formal structure itself to pursue the meaning of music, almost impossible to match. The question is, how can we “hear” the metaphysical aspects triggered by sound? This paper attempts to use different concepts and concepts as the basis for “listening” and create a new concept specifically for metaphysical music “ Listen ”for the study of the key, supplemented by three different genres of Western music as an example to illustrate how to see the presence of voices through the presence of voice “ listening ”.