政治工作干部是我军干部队伍中重要的不可缺少的组成部分。可以说,军队在执行各项任务中,都离不开政工干部的服务和政治工作的保证作用。不论战争年代还是社会主义建设时期,政工干部都发挥了和发挥着积极的不可缺少的作用。他们理所应当成为军事题材影片的表现对象。塑造好各种各样的政工干部形象,是摆在电影工作者面前的一个重要的美学课题。然而,近年来,在我们不少军事题材影片中,却很少甚至看不到政工干部了。如《年轻的朋友》、《凯旋在子夜》、《雷场相思树》、《战争让女人走开》、《道是无情胜有情》等等影视片中,只见各级军事指挥员,不见各级政治指挥员,我们常常看到的是,各种应由政工干部做的工作由军事干部做了;思想政治工作也全由军事干部来代替;甚至宁可在影片中不表现思想政治工作、宣传鼓动工作,也不让政工干部出现。例如,有的影片在表现我军奔赴对越作战前线情景时,只见开进中的干部战士说笑、打闹、沉闷等各 Political cadres are an important and indispensable component of our army cadres. It can be said that the military can not do without the guarantee function of political cadres’ service and political work in carrying out various tasks. Regardless of the war years or the period of socialist construction, all political and military cadres have played an active and indispensable role. They deserved to be the object of performance in military theatrical films. To create a good variety of images of political cadres is an important aesthetic issue for filmmakers. However, in recent years, in many of our military films, political cadres have seldom even been seen. Such as “Young Friends”, “Triumph at Midnight,” “Thunder Acacia Tree,” “War Leaves Women Away,” and “Roads are mercilessly winners.” I saw only military commanders at all levels, missing What we often see is that all kinds of work that should be done by political cadres should be done by military cadres; ideological and political work should all be replaced by military cadres; and even if we should rather not show ideological and political work in the film, Publicity and agitation work, nor political cadres appear. For example, when some films show our army went to the front of the Vietnam War scene, I saw only the cadres and soldiers who were entering the industry joked, slapstick, dull, etc.