说到林风眠先生,纵使隔世相望,总有一幕令我常忆难忘:上世纪八十年代末的那一月、那一天,林风眠的六十幅作品在中国美术馆东侧厅静静地挂了起来,一个只有两个花篮的大师画展,多少有些冷清甚至是凄凉的感觉。送花敬贺者一位是吴作人,另一位是李可染,当年的我无法理解眼前的一切,却让我对这位生于1900年的老人肃然起敬。直到走出中国美术馆大门,满脑子依然只有“为什么”这三个字。对于这样一个满腔热忱为中国现代美术教育 Speaking of Mr. Lin Fengmian, even if every other side of the world, there is always a scene that I often memorable: the late eighty of the last century, the day of that day, Lin Fengmian’s sixty works quietly linked in the east hall of China National Art Museum Up, a master of art exhibition with only two baskets, somewhat deserted or even desolate feeling. The one who is giving flowers is Wu Zuoren and the other is Li Keran. I can not understand everything in sight at that time, but let me respect this man who was born in 1900. Until out of the gate of the Chinese Museum of Art, full of mind still only “why ” these three words. For such a passion for the Chinese modern art education