艺术作品及其媒质的关系,是艺术哲学的一大问题。艺术解释与艺术欣赏,皆要表现为对艺术作品及其媒质的关系进行裁决。而艺术创作,更是离不开对这种关系的观念把握。在这种裁决和把握中,有着两个极端。~1一方面是媒质透明论。训练有素的画家通过对颜料的处理,画成任何他想要画的东西。而观者则无需考虑颜料,他们的视线穿过颜料,直接投向艺术家用颜料画成的 The relationship between works of art and their media is a major issue of art philosophy. Artistic interpretation and appreciation of the arts must be reflected in the determination of the relationship between the work of art and its medium. And artistic creation, it is inseparable from the concept of this relationship to grasp. In this decision and grasp, there are two extremes. ~ 1 on the one hand, the media is transparent. Well-trained painter paints everything he wants to draw by manipulating the paint. However, the viewer does not need to consider the pigments, they look through the paint, paint directly into the artist to paint