盆景构图并非单纯的物体摆布,而应着眼于“布阵取势”。在自然界里,山有偏正欹斜,树有卧立悬垂,峰峦树石的风姿神态,那是客观世界的巧妙之功;而在盆景中,作者则须根据主题,充分利用素材,通过根、干、枝、叶等在完整画面中的空间划分和确定来获得。如作品《游龙探海》,构图采用直立横出势态,再配植一石,以达均衡。主干通过露根沿石而上, Bonsai composition is not just a simple object, but should focus on the “array of gestures.” In nature, the mountains are skewed, the trees have lying over their heads and the peaks and stones are graceful and subtle, which is the ingenious work of the objective world. In the bonsai, the authors have to make full use of the material according to the theme, , Stems, branches, leaves and other space in the complete picture of the division and determination to get. Such as the work “swim Long exploration of the sea,” composition using the vertical out of the situation, with a stone, in order to achieve equilibrium. Trunk through the root along the stone,