中国话剧诞生百年有余,产生的大家名角如林之众,但是历来缺乏总结,也少表演学之构建。本文对中国新时期内地话剧表演做一次匆忙的速写勾勒,以期引起对话剧表演艺术研究的更多关注。中国话剧表演从模仿别人开始,到模仿生活的僵化,再到“三突出”原则对表演的模式化束缚,最后在戏剧观解放的新时期,舞台获得了解放,包括空间解放,也解放了表演艺术。 The birth of Chinese drama more than a century, produced a reputation as all the people, but has always been the lack of summary, but also less the construction of performing arts. This article sketches a hurried sketching of the mainland drama performance in the new era in China with a view to arousing more attention to the performance art research of the drama. From the beginning of imitating others to the rigidity of imitating life, and then to the “three outstanding” principle, the Chinese drama performances are modeled and restrained. Finally, in the new period of liberation of drama, the stage is liberated, including the liberation of space and liberation Performing arts.