论文部分内容阅读
庄子的“虚静”说作为中国传统美学的一个重要范畴,具有较高的理论和实践价值。虚静是艺术作品诞生的心理前提,它可以激发审美主体的审美灵感。这一理论作为中国艺术的主导精神之一,作为一种审美人格,铸造了我们民族特有的艺术和艺术家的人格胸怀。倪瓒的绘画充分体现了这一点,他是通过山水来表达脱俗隐逸的精神追求,并提出了“逸笔草草,不求形似”的艺术主张。
As an important category of traditional Chinese aesthetics, Zhuangzi’s “quietness” theory has a high theoretical and practical value. Hypocrisy is the psychological premise of the birth of an artwork, which can arouse the aesthetic inspiration of aesthetic subjects. As one of the dominant spirits of Chinese art, this theory, as an aesthetic personality, has shaped the personality of our nation-specific art and artist. Ni 瓒 painting fully reflects this point, he is through the landscape to express the refined and secular pursuit of the spirit, and put forward “Espresso, without asking ” artistic proposition.