一、记忆心理对钢琴演奏的影响在音乐世界,钢琴演奏作为二度创作的表演艺术,具有再创造的美学品格。钢琴演奏家可以凭借着个人娴熟的弹奏技巧,凭借着自己对作品的理解,通过弹奏对乐谱进行诠释、演绎和再创造,从而赋予作品以鲜活的艺术生命。但是,从表演艺术的本体规律来看,它必须依存于由作曲家创作出来的钢琴作品乐谱。如果没有了这种“物质性”的精神产品,再优秀的钢琴家也难做“无米之炊”。因此,钢琴演奏与钢琴作品相辅相成的紧密依存关系,就成为最重要但也是最简单的艺术哲理。值得注意的是:钢琴演奏对作品乐谱的依赖,不是纯“物质性”的依赖,而是一种通过“物质变精神”的转化与提升。其间,演奏者对乐谱由视觉 First, the impact of memory psychology on the piano In the music world, piano performance as the second creation of the performing arts, with recreating the aesthetic character. By virtue of his skillful playing skills, his pianist can give his works a vivid artistic life by virtue of his own understanding of the work, interpretation, re-creation of the score through playing. However, from the noumenon law of the performing arts, it must depend on the musical compositions of the piano works created by the composer. Without this kind of “material” spirit of the product, then the best pianist is also difficult to do “no straw ”. Therefore, the closely interdependent relationship between piano performance and piano works becomes the most important but also the simplest art philosophy. It is worth noting that the dependence of piano performance on musical scores is not dependent on pure “materiality” but rather on the transformation and promotion of the “material transformation”. In the meantime, performers were on the score by vision