冯小刚在国内电影产业中的位置,使人很难将其电影与带有强烈艺术特征的个人化问题联系在一起。然而,在获得官方、大众和知识分子同时认可的背后,既显示出他跨越原本被看作是无法弥合的鸿沟的能力,同时也引发了对精英文化与大众文化关系从抵牾到交流的思考。他所改编的电影,显示出他对作家独特而敏锐的个人化视角有着同样敏锐的感悟。个人化视角和经验又使他涉入主旋律影片之列后,继续保持了商业上的奇迹。 Feng Xiaogang’s position in the domestic film industry makes it very difficult to relate his film to a personalization problem with a strong artistic identity. However, being recognized both by the government, by the masses and by the intellectuals, it not only demonstrated his ability to cross the gap that he had previously considered as an immeasurable bridge, but also triggered a refute of the relations between the elite culture and the popular culture. His adaptation of the film shows that he is as equally keenly aware of the author’s unique and keen personalization. Personalized perspective and experience have brought him into the main theme of the film, continue to maintain the commercial miracle.