建设“中国戏曲中心”是解决戏曲产业现实发展中存在的问题、推动戏曲文化复兴的有效途径,也为国有院团改革提供重要的平台中国戏曲赫列世界三大戏剧体系,资源丰富、魅力无穷,是全人类的共同财富。然而,目前由于戏曲内容缺乏创新、经营管理体制陈旧、赢利模式不清等问题,戏曲文化在电影、电视和网络文化的冲击下,市场萎缩,投入下降,人才断档,戏曲文化的保护和传承面临重大挑战。我国戏曲培养、演出机构仍以国有为主,国有院团缺少与市场的有效对接创作的剧目不能与时俱进,难以迎合市场需求,亟待进行市场化改革。目前 The construction of “Chinese Opera Center” is an effective way to solve the problems existing in the actual development of opera industry and promote the revival of opera culture. It also provides an important platform for the reform of state-owned academic corps. The three major drama systems in the world of Helena are rich in resources, Charm, is the common wealth of all mankind. However, due to the lack of innovation in traditional opera content, outdated management system and unclear profit model, the drama culture has suffered from the shrinkage of the market, the decline of investment, the interruption of talent and the protection and inheritance of the opera culture under the impact of the film, television and internet culture. Major challenge China’s opera culture and performance agencies are still dominated by state-owned enterprises. The lack of effective matchmaking of the state-owned hospital corps with the market can not keep pace with the times, and it is difficult to cater to the market demand. It is urgent to carry out market-oriented reforms. Currently