要让金钱来追逐艺术,而非艺术去追逐金钱。21CBR:如何看待近年来画廊业的生存环境,拍卖行给画廊的压力在增加?蒂姆.马洛:对拍卖行而言,最要紧的是客户,谁来卖出艺术品,谁来买入艺术品,而一家出色的画廊最看重的是艺术家,然后才是客户,如果没有好的艺术家,画廊就没有东西可卖。21CBR:佳士得、苏富比等拍卖行都在香港设立了画廊。蒂姆.马洛:艺术家如果只与拍卖行合作,那么,其作品是否被 Make money to chase art, not art to chase money. 21CBR: How to view the living environment of the gallery industry in recent years and the pressure from the auction houses on the gallery? Tim Marlowe: The most important thing for the auction house is the client, who will sell the artwork and who will buy it Art, and a good gallery is the most valued artist, then the customer, if there is no good artist, the gallery there is nothing to sell. 21CBR: Christie’s, Sotheby’s and other auction houses have set up galleries in Hong Kong. Tim Marlowe: If an artist only works with an auction house, then is the work being done?