壮族提线木偶戏流传在广西壮族自治区西部的靖西、德保、那坡、田阳、天等、大新等壮族地域,历史悠久,代代相传,沿袭至今。由于经过历代艺人不断继承和发展,使这个剧种逐步得到完善而深深地扎根于壮乡,成为壮族人民喜爱的戏剧艺术。壮族木偶戏在传统剧目、音乐唱腔、语言道白、脸谱造型、服装设计等方面都具有浓厚的民族特色和地方色彩,充分展示了壮族文化习俗和表现出壮族人民的审美情趣。壮族木偶戏脸谱的审美特征,是个值得研究的问题。本文谨此浅而议之。壮族木偶戏俗称“木头戏”,由戏师运用五根吊线操作表演,用壮语南部方言演唱。为了使剧中人物表演得栩栩如生,戏师除了在唱腔、韵白、操作等方面下功夫外,木偶头雕刻绘画也 Zhuang Mupi marionette circulated in western Guangxi Zhuang Autonomous Region Jingxi, Germany Paul, Napo, Tian Yang, days, Dazhong and other Zhuang regions, has a long history, handed down from generation to generation, inherited so far. As successive entertainers continue to inherit and develop, the opera has gradually been perfected and deeply rooted in Zhuang and become the favorite theater art of the Zhuang people. The Zhuang puppet show has strong national features and local colors in traditional repertoires, music aria, verbal language, facial masks and costume design, which fully demonstrate the Zhuang culture and customs and show the aesthetic taste of the Zhuang people. The aesthetic characteristics of the Zhuang puppet show are worth studying. This article just shallow discussion. Zhuang puppet show commonly known as “wood play” by the opera using five hanging wire operation performance, with the southern language dialect singing. In order to bring the characters to life in the play, the chef worked hard in singing, rhyme and operation, etc.