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现在,中国影像艺术独立的市场体系已经初现端倪:经营中国影像艺术的画廊越来越多,艺术北京博览会也开辟了独立的影像艺术单元——影像·北京,现身拍卖公司的影像作品屡见不鲜,连州、平遥国际摄影节声势渐大。但是,与之形成鲜明对比的是,中国影像艺术在庞杂的中国艺术品市场体系中,始终不温不火,处于相对边缘化的位置。中国影像艺术市场体系健全,架构完整,涵盖一级市场、二级市场、艺博会、艺术节,看似庞大。但中国影像艺术市场本身并不如意。庞大的体系与孱弱的市场,让中国影像艺术叫好不叫座。但正是有着庞大的体系做支撑,让我们对未来的中国影像艺术市场充满信心。
At present, the independent market system for Chinese video art has begun to emerge: more and more galleries operate Chinese video art, and the Beijing Art Expo opens up an independent unit of video art - video Beijing. It is not uncommon for video works to appear in auction companies Lianzhou and Pingyao International Photography Festival are getting bigger and bigger. However, in stark contrast, Chinese video art has always been relatively tepid and in a relatively marginalized position in the complex Chinese art market system. China’s video art market system sound, complete structure, covering the primary market, the secondary market, art fair, the festival seems large. However, the Chinese video art market itself is not satisfactory. Large system and weak market, so that Chinese video art is not praised. But it is with a huge system to do the support, let us have confidence in the future of the Chinese video art market.