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20世纪90年代,中国推行改革的力度更为深广,文化领域也开始引入市场调节机制,社会经历着从政治生活一体化向个人化、多元化的急速转变,进入了所谓的后社会主义时期。中国的后社会主义有什么特点?市场化对文化艺术产生了怎样的影响?这个时期的文化表现形式又是什么?这些正是《后社会主义现代性:营销时代的中国电影、文学与批评》(以下简称《后社会主义现代性》)所要回答的问题。
In the 1990s, China carried out reform more intensively and started to introduce market regulation mechanism in the field of culture. The society experienced a rapid change from integration of political life to individualization and diversification and entered the so-called post-socialist period. What are the characteristics of post-socialism in China? What kind of influence did the marketization have on the culture and art? What is the cultural expression in this period? These are precisely the “post-socialist modernity: Chinese film, literature and criticism in the age of marketing” (Hereinafter referred to as “post-socialist modernity”) to answer the question.