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近代詞學名家趙尊嶽(一八九八—一九六五)的詞學論著《填詞叢話》首重‘神味’。‘神味’是一種深沉邈遠的言外之意,晚清民國詞家多强調泯除寄託之迹,著重詞中所潛藏的深厚婉曲、綿邈不盡的意蘊。‘神味’來自於情感詞意的層層深入、層層轉折,運用委婉含蓄的表達方式,使‘神味’融貫於理脈之間。除了‘深入’和‘暗轉’之法,‘神味’亦可透過結拍傳達綿邈不盡之致。‘神味’不可强求,惟有性靈、學力並重,才能選擇適切的文字和意象,‘以曲筆宛轉達出’,以迂迴含蓄的表達方式,給讀者層次豐富的閲讀感受,肯定詞體幽隱婉曲的特質。‘神味’的提出,正是對時下盛行夢窗詞風的反思。趙尊嶽主張以尋常習見之字,運用曲折層深之法,傳達深厚綿邈的情思,試圖扭轉斧琢鉤勒的詞壇風氣,深具時代意義。
Modern famous Ci Zhaoyue Zhao Zuoyue (1898 - 1965) of the word theory “words filled with words,” the first weight of “God.” ’Shenmu’ is a kind of deep and far-away implication. In the late Qing Dynasty, many Ci writers in the Republic of China stressed that they should not only lay emphasis on the traces of sustenance, but also lay emphasis on the profound melodies hidden in the words and the endless implications. ’God’s taste’ comes from the deep layers of emotion meaning, layers of turning, the use of euphemistic expressions, so that the ’flavor’ melts in between the rationale. In addition to ’deep’ and ’dark turn’ of the law, ’God’ can also be used to convey the inexhaustible charm. ’God’s taste’ can not be forced, only spirituality, both academic and technical ability to select the appropriate words and images, ’to write the song to convey’ to the circuitous subtle expression to the reader a wide range of reading experience affirmed the seclusion of the word Wondrous qualities. The proposal of ’god’ is precisely the reflection on the style of the dream window now prevailing. Zhao Zunyue advocated the usual and common words, the use of twists and turns of the law, to convey the profound feelings of cotton, try to reverse the axon dichotomy of the altar mood, deep historical significance.