简要的回顾从版画系五十年代建系到七六年文革结束,素描教学既受政治运动的冲击,又受苏联模式的制约,实行的基本是苏、法、日混杂的学院派办法。作业按石膏、头像、半身像、男人体、女人体严格循序渐进,主要是做多调子长期作业。这样的训练,虽也造就了具有相当造型基础的学生,但和版画专业及其创作特点基本脱节。其突出表现为:学生会长期,不会短 Brief review from the Department of Printmaking Department of the 1950s to the end of the Cultural Revolution in 1976, sketch teaching not only by the political movement of the impact, but also by the Soviet Union model constraints, the implementation of the basic is the Soviet Union, France, Japan mixed academic approach. Homework by plaster, head, bust, male body, female body strict step by step, mainly to do more toned long-term homework. Although such training has also created a considerable basis for modeling students, and printmaking professional and creative features are basically out of touch. Its outstanding performance as follows: Students will be long-term, not short