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莫扎特是古典主义音乐乐派的代表人物之一,他的声乐创作多以歌剧为主,《费加罗的婚礼》创作于18世纪下半叶是莫扎特歌剧作品的代表作之一。钢琴伴奏作为一门学科从钢琴演奏分离出来,对歌曲的表现具有根本性的突破,本文以凯鲁比诺的咏叹调《你们可知道》和费加罗的咏叹调《你不要再去做情郎》为例,结合莫扎特的创作特点和这两段咏叹调的演唱风格,对其钢琴伴奏进行分析,由此来分析莫扎特歌剧钢琴伴奏的特点。
Mozart is one of the representatives of the classical music school. His vocals are mainly opera, and the creation of the “Marriage of Figaro” was one of the representative works of Mozart’s opera in the second half of the 18th century. Piano accompaniment as a discipline separated from the piano performance, the performance of the song has a fundamental breakthrough in this article to Cherubino’s aria “you can know” and Figaro’s aria, “you do not want to be lover” For example, the characteristics of Mozart’s opera piano accompaniment are analyzed based on Mozart’s creative features and singing styles of these two arias.