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2009年6月第53届威尼斯双年展如期举办。作为历史最悠久、影响最大的当代艺术盛会,威尼斯双年展一直是检视当代艺术潮流趋向的重要窗口。旅居巴黎的青年学者高洁遍访威尼斯,从展场发回了感受鲜活的报道。日本平面设计大师原研哉是一位在不断修正现行设计概念,力图将设计实践推向一个更高层次的艺术家。他奉日常生活为设计的源泉和设计的目的,以自身的设计实践完美地诠释日本民族精神传统与当代创新的平衡。本期钟静的文章对原研哉的设计思想做了较为深入的解读。
June 2009 The 53rd Venice Biennale was held on schedule. As the most influential and influential contemporary art event in Venice, the Venice Biennale has always been an important window for examining the trend of contemporary art. Gao Jie, a young scholar who lives in Paris, traveled to Venice and sent back a lively report from the exhibition. Japanese graphic designer Masaki Hara is an artist who is constantly modifying the current design concept and trying to push design practice to a higher level. Taking daily life as the source of design and design, he perfectly interprets the balance of Japanese nationalistic tradition and contemporary innovation with his own design practice. This issue of Zhong Jing’s article made a more in-depth interpretation of the original design idea of Kenji.