聂荣臻从红军时期起就十分重视戏剧在革命宣传中的作用。1933年在中央苏区,他就亲自参加了《庐山之雪》、《杀上庐山》等话剧的演出,还亲自编写了反映南昌起义的四幕话剧《南昌起义》。抗战爆发后,聂荣臻依靠戏剧工作者,充分发挥他们的作用,使戏剧工作成为当时晋察冀边区最活跃的文化生活之一。在聂荣臻的关心和大力支持下,戏剧以其独特的宣传形式,发挥着战斗的作用和充分 Since the Red Army, Nie Rongzhen attached great importance to the role of drama in revolutionary propaganda. In the Central Soviet Area in 1933, he personally participated in performances such as Lushan Snow and Lushan Mountain, and personally wrote a four-screen drama “The Nanchang Uprising” reflecting the Nanchang Uprising. After the outbreak of the War of Resistance Against Japan, Nie Rongzhen relied on theater workers to give full play to their role in making theatrical work one of the most active cultural activities in the Shanxi-Chahar-Hebei border region at that time. With the care and support of Nie Rongzhen, drama plays a role of battle and full with its unique propaganda form