北京,中国美术馆,美国艺术家劳生柏作品国际巡回展在1985年初冬时节举行。“这也叫艺术吗?”面对一张展开的包装旧纸板,那上面布满了无规则的钉眼和松散的撕裂痕迹,读着它的标题《卡斯特里的小乌龟碗》,观众的神情多少带有不解。“啊,多妙!”面对弧形的照片拼接巨作《中国夏天的长廊》,那些从视域中忽悠滤去的景物:古迹、车棚、紧张的工地、温暖的 Beijing, China Art Museum, the American artist Lau Wah Po exhibition of international tour in early winter 1985 held. “Is it also art?” Facing an unwrapped, wrapped cardboard, covered with irregular studs and loose tears, read its title “Castries’ Little Turtle Bowl” , The audience’s look with the number of puzzled. “Ah, how wonderful!” In the face of a curved photo splicing masterpiece “China’s summer promenade”, those who flicker away from the sight of the scene: monuments, carports, stressful site, warm