书法文化是个综合体系,它是文学艺术,历史学,艺术学的集中表现。郭沫若是中国学者书法文化的一个典型列子。他在书法上的成就与其文学创作交相辉映。那么相应的在对其字体设计中,文人性就是一个不可或缺的因素,这也是当代设计所缺失的东西。本文从文人性角度来重新审视郭沫若书法文化,并就文人性对其字体设计的影响作出一定的研究。 Calligraphy culture is an integrated system, which is the concentrated expression of literature and art, history and art. Guo Moruo is a typical example of the Chinese calligrapher’s culture. His achievements in calligraphy are paramount to his literary creation. So the corresponding in its font design, literary nature is an indispensable factor, which is the missing of contemporary design. This essay reexamines the calligraphy culture of Guo Moruo from the perspective of humanity, and makes some research on the influence of literati on its typeface design.