在翻译实践过程中,因源语与目的语的差异,为弥补目的语的表达力度,以再现原文,创造性的翻译就成了惯用手段。加之创伤文学自身的显著特点,在该视角下考察译作与原作的对等关系,创译就不再是辅助性的手段,而是一种不可避免的必然。 In the process of translation practice, due to the difference between the source language and the target language, to make up for the expression of the target language, in order to reproduce the original text, creative translation becomes the usual means. Combined with the remarkable characteristics of trauma literature itself, it is inevitable that translation should no longer be an adjunct to the study of the reciprocal relationship between translated works and original works.