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宗教,作为“被压迫生灵的叹息”和“无情世界的感情”(马克思),从它诞生的那一天起,便成为人类社会生活的重要内容,因而,也一直是文学艺术作品的相当重要的表现对象。纵观两千多年浩瀚多姿的西方文学艺术长廊,确实不乏描写宗教和教会神职人员的鸿篇巨制。在这些作品中,因作家生活的时代,特别是作品所表现的时代当中,宗教的面貌、历史地位、社会作用和它对人的态度有所不同;也因作家本人的宗教态度、政治态度、艺术态度和人文品质有很大差异;更因主客观两个方面的
Religion, as “the sigh of oppressed souls” and “the emotion of the world of relentlessness” (Marx), has become an important part of human social life from the day it was born, and thus has also been a literary and art work The very important performance of the object. Looking at the vast expanse of Western literary and art corridors for more than 2,000 years, there are indeed no shortage of masterpieces depicting the religious and religious clergy. In these works, because of the era in which the writer lives, especially in the times represented by the works, the appearance, historical position, social function and attitude of the religion to the people are different. Because of the writer’s own religious attitude, political attitude, Art attitudes and cultural quality are very different; more because of the subjective and objective aspects