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北方昆剧院以咬脐郎为主改编的《白兔记-咬脐郎》,其场上搬演具体化了再造旧戏文的诸多问题。其中最重要的即文本改编重造的适当性,而适当与否又关系于旧戏曲在被“现代化”下的艺术表现,且“再造行为”同时体现了新旧意识冲突和“文化遗产”意识形态。本文从评论角度出发,认为此作在当代凡事皆“现代化”之诉求下从改编走向新创,然而在艺术上却因受流行的文化意识所制约而未能有效表现,以至于作品中的种种冲突反体现了当代文化病症。
North Kunqu Opera House to bite umbilical Lang-based “White Rabbit - bite umbilical Lang”, the field moved to play many of the problems of recreating the old drama. Among them, the most important one is the appropriateness of reorganization of texts, and the appropriateness is related to the artistic expression of the old opera under “modernization ”, and “reengineering ” reflects the conflict between old and new ideology and Cultural heritage “ideology. From the angle of commentary, this paper argues that this work has shifted from adaptation to new creation under the appeals of ”modernity" in the contemporary world. However, due to being constrained by the popular cultural consciousness in art, The various conflicts reflect the contemporary cultural illness.