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在选择剧目和导演歌剧《太阳雪》之前,作为艺术总监和该剧导演,萦绕在我脑海里的不是这部歌剧所要表达或揭示的思想主题,不是它所包含的戏剧冲突、人物性格,甚至不是它应有的风格、节奏和样式。这些作为一个创作者本应最先思考的核心问题都没有在我的脑海里涌现,恰恰相反,使我日思夜想、时时沉浸其中而不能自拔的是一系列对中国歌剧现状与未来发展的思考。
Before selecting the repertoire and directing the opera “The Sun and the Snow”, as director of the arts and the director of the play, it is not the ideological theme that this opera wants to express or reveal. It is not the drama conflict, the character and even the character it contains It is not its style, rhythm and style. These as a creator should have been the core of the first thought did not emerge in my mind, on the contrary, so I think day and night, always immersed in and can not extricate themselves is a series of current situation and future development of Chinese opera Thinking.