一直以来,雨田在诗界里的顽固之态有目共睹。他自足地建筑那些肉眼看不见的东西,与喧哗的时势潮汐保持距离,保洁沉思,像急流后、浪淘过的强硬之石,一位对包括自我的一切都一如既往地苛刻的顽固派。“你像我一样生长在一个残疾的时代真的/我们在崇高自由和爱的阴影里挣扎/直到人世间没有喧哗也没有痛苦……”(《西峡银杏树》)置身于一个残疾的时代,无力与忧郁难免,在这里,诗人的孤独与平衡感借助 All along, Yu Tian in the poetry of the stubborn state for all to see. He is self-sufficient in building what can not be seen with the naked eye, keeping a distance from the tidal waves of the tumultuous time, cleaning up the contemplation, the hard stone after the rapids, the waves, and the hardcore hell, as always, of everything including himself. “You grow like me in an era of disability really / We are struggling in the shadow of lofty freedom and love until there is no noise or pain in the world ... ” (“Xixia ginkgo tree”) Exposure to a disability Age, powerlessness and melancholy inevitably, here, the poet’s loneliness and balance help