南京,曾是明代皇帝的居住地,也是当时全国政治文化的中心。明代灭亡后,清朝建都北京,而不少遗民画家仍聚集于南京,从事绘画创作。当时,他们在举国上下皆以元画为宗、陈陈相因、摹习成风的环境下,标新立异,打破了“家家子久、人人大痴”的单一乏味之景 Nanjing was once the place of residence of the emperor of the Ming Dynasty, and was also the center of the national political culture at the time. After the demise of the Ming Dynasty, the capital of Qing Dynasty was capitalized in Beijing, while many remaining painters still gathered in Nanjing to engage in painting creation. At that time, they were all unconventional under the circumstance of Chen Yuanxiang and Gengchengchengfang, breaking the single boring scene of “every family member has a long life and everybody is crazy”