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摄影纪实性实践中的抒情性,来自于摄影师的个人视野,既是对别人神情或其它事物的发现,也是对自我的再次充实。照片里的对象,都投影了一种时代的姿态,同时也隐含了摄影师的自我限定。从摄影史角度看,阿尔弗雷德·帕尔默、尤金·史密斯、路易斯·福勒、罗伯特·弗兰克、盖瑞·维诺格兰德、李·弗里德兰德、黛安·阿勃丝、玛丽·艾伦·马克、布鲁斯·戴维森、威廉·克里森伯里、尤金·理查兹、乔·迈耶洛维茨、罗伯特·亚当斯、理查德·米斯拉奇等许多美国著名摄影家的纪实类作品,在抒情性表达方面均有不同程度的贡献。
The lyrical nature of photographic practice comes from the photographer’s personal field of vision, which is not only the discovery of others’ expressions or other things, but also the self-enrichment. The objects in the photos all project an attitude of the times and also imply the photographer’s self-definition. From a photographic history perspective, Alfred Palmer, Eugene Smith, Louis Fowler, Robert Frank, Gary Venorgrand, Lee Friedland, Diane A Booze, Mary Alan Mark, Bruce Davidson, William Christenberg, Eugene Richards, Joe Meyerowitz, Robert Adams, Richard Mishragh, etc. The documentary works of many famous American photographers all contributed to different degrees in lyrical expressions.