王献之《鹅群帖》,宋代《淳化阁帖》刻录,有宋代米芾临本。历代书法家多有临摹。《鹅群帖》行、草相参,笔画连绵相属,气势奔放,无拘无束,极富个性和想象力,从中可以看出王献之豪放不羁的性情与功力相生相发的高度结合。大王笔法内擫,小王笔法外拓,分别是两种风格的高峰。而小王笔势连绵的外拓笔法对后世狂草的发展有很大影响。王献之在书法艺术上的成就登峰造极,在生活上却是个悲剧人物。由于新安公主司马道福 Wang Xianzhi “Geese posts”, Song “Chunhua Pavilion posts” burn, there is the Song Mi Mi temporary copies. Many calligraphers copy. “Geese flocks” line, grass co-participation, strokes spontaneous, arrogant, unrestrained, highly personalized and imaginative, from which you can see Wang Xianzhi uninhibited temperament and skill phase with a high degree of integration. The king pen calligraphy nephew, Wang extrapolation, respectively, is the peak of two styles. The continuous extension of Pen Wang pen gesture strokes on the future development of mad has a great influence. Wang Xianzhi’s achievements in the art of calligraphy peak, in life it is a tragic figure. Due to Xinan princess Si Maofu