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敖家茔地石刻艺术是贵州黔西北清代茔地石刻的典型代表,它那精湛的技艺、高超的手法、丰富的内容题材,被世人誉为“黔西北石刻艺术宝库”。它继承和发展清代古典巴蜀牌坊建筑文化和荆楚墓雕文化的装饰风格,传承了中国古典对称式、硬拐龙纹式、硬别子锦地纹式、软别子锦地纹式、锁子锦地纹式、蜂窝锦地纹式、万字锦地纹式、硬拐子锦地纹式的装饰图案,借鉴传统木建筑结构木榫穿斗技法和木雕式镂空雕技术为表现手法。本文从敖家茔地石刻的历史文化背景、表现内容题材、艺术特色等方面综合分析了黔西北清代敖家茔地石刻艺术的文化内涵。
Aojiagongdi stone carving art is a typical representative of the stone carvings in the Qing Dynasty in the northwest of Guizhou province. It is praised by the world as “the treasure trove of stone carvings in the northwestern Guizhou Province” by its exquisite techniques, superb techniques and rich content subjects. It inherits and develops the architectural style of the ancient Ba-Shu archway culture in the Qing Dynasty and the decoration style of the Jing-tomb tomb carving. It inherits the classic Chinese pattern of symmetry, Brocade Brocade pattern, honeycomb brocade pattern, Brocade Brocade pattern, Brocade Brocade pattern decorative patterns, drawing on the traditional wooden structure weaving techniques and wood carving hollow carving techniques as a manifestation. This paper analyzes the cultural connotation of the stone inscriptions of Aojia tomb in qing dynasty in qin dynasty in northwestern Guizhou from the historical and cultural background, the content and the artistic features of the stone inscriptions in Aojia tomb.