他的可贵之处在于一方面继承了本土前几代水墨画家探索的语言成果,但是同时又没有在东方精神上孤注一掷。他从不在画面中回避西方语言图式,但是这些图像确实被无意识地改造过,这样,以传统用墨方法的墨在画面中产生了新的意义空 His valuable point is that on the one hand, he inherited the language achievements explored by previous generations of ink-and-wash painters in the country, but at the same time did not despair from the East. He never shied away from Western language pictures in the pictures, but these pictures were indeed unconsciously remodeled, so that the ink of the traditional ink method had a new meaning in the picture