中国画的笔法在中国画的表现方法中很重要。过去十年来,我跟随齐白石、黄宾虹二老学画,学了许多东西,其中最重要的心得之一是笔法。早在唐、宋时期,评画就以笔墨权衡,笔法是中国青年画家中最缺乏的一点。黄宾虹先生很擅长讲,齐白石先生平时不大讲。我主要是看他用笔的方法。我过去认为笔墨非常重要,为此访问过很多人,讲得最好的是黄宾虹,实践最好的是齐白石。清代包世臣、康有为都有书法著作,但是包世臣的字写得不大好,我就不大 The style of Chinese painting is very important in the method of Chinese painting. In the past ten years, I followed Qi Baishi and Huang Binhong to study painting and learned many things. One of the most important things I learned was writing style. As early as the Tang and Song dynasties, the criticism was balanced by the brushstrokes, which were the most lacking among the young Chinese painters. Mr. Huang Binhong is very good at speaking, Mr. Qi Baishi usually does not speak. I mainly look at his method of using a pen. I used to think that ink and ink are very important. I have visited many people for this purpose. The best I can say is Huang Binhong. The best practice is Qi Baishi. Baocheng Chen Qing Dynasty, Kang Youwei have calligraphy, but Bao Shi Chen’s word is not written well, I would not be large